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Garage rock was a form of amateurish rock music, particularly prevalent in North America in the mid-1960s and so called because of the perception that it was rehearsed in a suburban family garage. [21] [22] Garage rock songs revolved around the traumas of high school life, with songs about "lying girls" being particularly common. [23]
Garage rock was a raw form of rock music, particularly prevalent in North America in the mid-1960s and is called such because of the perception that many of the bands rehearsed in a suburban family garage. [49] [50] Garage rock songs often revolved around the traumas of high school life, with songs about "lying girls" being particularly common ...
The company emerged as the leading producer (or "assembly line," a reference to its motor-town origins) of black popular music by the early 1960s and marketed its products as "The Motown Sound" or "The Sound of Young America"—which combined elements of soul, funk, disco and R&B. [85] Notable Motown acts include the Four Tops, the Temptations ...
CLEVELAND — Decades after unleashing a broadside of Detroit rock energy — and following years of frustrating snubs — the MC5 got justice at last from the Rock & Roll Hall of Fame.
Motown was the most successful soul music label, with a net worth of $61 million. Between 1960 and 1969, Motown had 79 songs reach the top-ten of the Billboard Hot 100. In March 1965, Berry Gordy and Dave Godin agreed to license the Tamla Motown label name for future UK releases through EMI Records Limited.
Motown M-1004 United States January 1961 "I've Got a Notion" "We Really Love Each Other" Henry Lumpkin: Motown M-1005 United States "Don't Feel Sorry for Me" "Heart" Jimmy Ruffin: Miracle MIR-1 United States February 1961 "Don't Let Him Shop Around" " A New Girl" Debbie Dean: Motown M-1007 United States "Ain't It Baby" " The Only One I Love ...
to combat the negative image of America in India. It was called, simply, “Project India.” Beginning in 1952, Project India sent twelve students of diverse ethnic, cultural, and religious backgrounds for nine summer weeks to India, meeting college students, living with their hosts in villages and cities, and hopefully making friends for America.
Ken Townsend claimed this as the first use anywhere in the world, [32] although Joe Meek, an independent producer from London, is known to have done it earlier (early 1960s) [33] [page needed] and in America, Motown's engineers had been using Direct Input since the early 1960s for guitars and bass guitars, primarily due to restrictions of space ...