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Without a strong bond between the Formstone and the underlying brick, moisture is allowed to enter between the two materials and become trapped. Applying Formstone to rowhouses constructed with early brick from the eighteenth and nineteenth centuries caused many problems. This early brick was soft, porous, and susceptible to deterioration. [13]
During this period, black and white stone were often used as well as red brick in recurring rows, giving a three colored striped building. [3] Ablaq masonry supplemented other decorative techniques such as the use of "joggled" voussoirs in arches, where stones of alternating colours were cut into interlocking shapes.
Polychrome brickwork also became popular in Europe in the later 19th century as part of the various medieval and Romanesque revivals. In France, the Menier Chocolate Factory in Noisiel, designed by Jules Saulnier and completed in 1872, is an early and very elaborate example, which is also noted for its early use of iron structure.
A mason laying a brick on top of the mortar Bridge over the Isábena river in the Monastery of Santa María de Obarra, masonry construction with stones. Masonry is the craft of building a structure with brick, stone, or similar material, including mortar plastering which are often laid in, bound, and pasted together by mortar.
A "face brick" is a higher-quality brick, designed for use in visible external surfaces in face-work, as opposed to a "filler brick" for internal parts of the wall, or where the surface is to be covered with stucco or a similar coating, or where the filler bricks will be concealed by other bricks (in structures more than two bricks thick).
Ashlar (/ ˈ æ ʃ l ər /) is a cut and dressed stone, worked using a chisel to achieve a specific form, typically rectangular in shape. The term can also refer to a structure built from such stones. [1] Ashlar is the finest stone masonry unit, and is generally rectangular . It was described by Vitruvius as opus isodomum or trapezoidal.
Flemish bond is a pattern of brickwork that is a common feature in Georgian architecture. The pattern features bricks laid lengthwise (stretchers) alternating with bricks laid with their shorter ends exposed (headers) within the same courses. This decorative pattern can be accented by glazing or burning the exposed ends of the headers so that ...
English medieval walls often contain a mixture of cobbles, rubble and re-used brick, though the picture from Thetford shows almost exclusively cobbles. Some cobblestone architecture shows consistent matching in the size of the stones used, shape, and color. [5] This method of construction has been referred to as a form of folk art. [10]
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