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Dive bomb is a guitar technique in which the tremolo bar, or whammy bar is used to rapidly lower the pitch of a note, creating a sound considered to be similar to a bomb dropping. One of the most recognized pioneers of this technique is Jimi Hendrix .
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The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
On a string instrument, shifting, or a shift, is a movement of the fingers of the left hand from one position to another on the same string. When done skillfully shifting avoids string noise . A shift is usually indicated by a fingering number (1–4) on the first note after the shift.
Classical guitar techniques can be organized broadly into subsections for the right hand, the left hand, and miscellaneous techniques. In guitar, performance elements such as musical dynamics (loudness or softness) and tonal/timbral variation are mostly determined by the hand that physically produces the sound. In other words, the hand that ...
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e
String noise is generally relatively quiet but parallel string motion brings out higher, more dissonant harmonics than perpendicular string motion. However this should not be confused with parallel rather than perpendicular bowing, which is relatively quite loud and harsh. If the pressure was consistent then the result would be a glissando ...
In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...
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