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The Nuyorican movement is a cultural and intellectual movement involving poets, writers, musicians and artists who are Puerto Rican or of Puerto Rican descent, who live in or near New York City, and either call themselves or are known as Nuyoricans. [1]
The Nuyorican Poets Café in Alphabet City, Manhattan. Nuyorican is a portmanteau word blending "New York" (or "Nueva York" in Spanish) and "Puerto Rican," referring to Puerto Ricans located in or around New York City, their culture, or their descendants (especially those raised or currently living in the New York metropolitan area).
The Café also has a radio broadcast on WBAI, where Algarín started the broadcast with his signature "We're live from the Nuyorican Poets Café". [6] [7] [8] Algarín played an important role in the spread of Nuyorican literature by compiling, with Miguel Piñero, its first anthology Nuyorican Poetry: An Anthology of Puerto Rican Words and ...
Nuyorican poetry of the 1990s era was focused on breaking down political, social, cultural, and racial boundaries between individuals and groups in the United States. The early 2000s for Nuyorican poetry was the time period when slam poetry took full root and the living, accessible nature of poetry was solidified. [3]
He is a member of the Nuyorican Movement. He grew up during the Civil Rights Movement, Black Power movement, and the emergence of the Nuyorican Movement in East Harlem. His titles include the play The Junkies Stole the Clock (1974), [1] and Hey Yo/Yo Soy! 40 Years of Nuyorican Street Poetry. [2] [3]
Pietri helped found the Nuyorican Movement together with Miguel Algarin, Miguel Piñero and Lucky Cienfuegos also founders of the Nuyorican Poets Cafe. The Café is an institution where many New York Puerto Rican and Latino artists perform. Pietri wrote the play El Puerto Rican Embassy. The theme was that an island, which was neither an ...
Colón began a Spanish language newspaper, and he would go on to write in both Spanish and English papers throughout his career. In 1927, he joined the editorial board of the New York City-based newspaper Gráfico (a newspaper edited by Bernardo Vega that featured writing by Cuban, Puerto Rican and other Latina/o migrants living in New York ...
In the 1980s, Nuyorican Break dancers Rock Steady Crew and DJ Charlie Chase helped shape the early South Bronx hip hop scene. [ 46 ] Following the in migration of large numbers of Puerto Ricans to New York in the 1950s, folk style jibaro , bomba , and plena music became part of the cultural fabric of East Harlem ( El Barrio ) and the South ...