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The search for a singer-actress to play Carmen began in mid-1873. ... While he places the opera firmly within the long opéra comique tradition, [82] ...
Carmen Jones is a 1943 Broadway musical with music by Georges Bizet (orchestrated for Broadway by Robert Russell Bennett) and lyrics and book by Oscar Hammerstein II which was performed at The Broadway Theatre.
The production of his final opera, Carmen, was delayed because of fears that its themes of betrayal and murder would offend audiences. After its premiere on 3 March 1875, Bizet was convinced that the work was a failure; he died of a heart attack three months later, unaware that it would prove a spectacular and enduring success.
The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration. However the order of the musical allusions are in reversed chronological order, and do not adhere to the operatic versions ...
The Toreador Song, also known as the Toreador March or March of the Toreadors, is the popular name for the aria " Votre toast, je peux vous le rendre" ("I return your toast to you"), from the French opera Carmen, composed by Georges Bizet to a libretto by Henri Meilhac and Ludovic Halévy.
Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act.
The earliest known, full-length opera composed by a Black American, “Morgiane,” will premiere this week in Washington, DC, Maryland and New York more than century after it was completed.
This is a discography of audio and video recordings of Carmen, a French-language opera by Georges Bizet. The opera premiered at the Opéra-Comique in Paris on 3 March 1875. Carmen is one of the most frequently recorded operas, dating back to a near-complete German acoustical recording in 1908.
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