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A horror film set in the immediate aftermath of World War II in a temporary orphanage for children liberated from a concentration camp. [3] [4] 2019 United States Hellboy: Neil Marshall: Thriller, Horror; Lobster Johnson crashes a Nazi ritual during the war in a flashback sequence.
This list of World War II films (1950–1989) contains fictional feature films or miniseries released since 1950 which feature events of World War II in the narrative. The entries on this list are war films or miniseries that are concerned with World War II (or the Sino-Japanese War) and include events which feature as a part of the war effort.
The film or miniseries must be concerned with World War II (or the War of Ethiopia and the Sino-Japanese War) and include events which feature as a part of the war effort. For short films, see the List of World War II short films. For documentaries, see the List of World War II documentary films and the List of Allied propaganda films of World ...
The term psychological warfare is believed to have migrated from Germany to the United States in 1941. [68] During World War II, the United States Joint Chiefs of Staff defined psychological warfare broadly, stating "Psychological warfare employs any weapon to influence the mind of the enemy. The weapons are psychological only in the effect ...
Let There Be Light—known to the U.S. Army as PMF 5019—is a documentary film directed by American filmmaker John Huston (1906–1987). It was the last in a series of four films [1] directed by Huston while serving in the U.S. Army Signal Corps during World War II.
Pages in category "World War II films based on actual events" The following 200 pages are in this category, out of approximately 325 total. This list may not reflect recent changes .
Why We Fight is a series of seven propaganda films produced by the US Department of War from 1942 to 1945, during World War II.It was originally written for American soldiers to help them understand why the United States was involved in the war, but US President Franklin Roosevelt ordered distribution for public viewing.
Production of the film was ordered by the Psychological Warfare Division (PWD) which was a unit of the Supreme Headquarters Allied Expeditionary Force (SHAEF). The PWD was responsible for the political activities in Germany of the British Ministry of Information and its U.S. counterpart, the Office of War Information. Bernstein began to ...
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