Search results
Results from the WOW.Com Content Network
The first twenty films of the Bond series, with the exception of On Her Majesty's Secret Service, end with Bond embracing, kissing, or making love with the film's Bond girl. [172] Sometimes an embarrassed M catches Bond during these embraces. Most endings feature a double entendre and, in many of the films, the Bond girl purrs, "Oh, James."
Lisa-Dorah Sonnet as Mathilde: The five-year-old daughter of James Bond and Madeleine Swann. [39] Additionally, Hugh Dennis and Priyanga Burford portray scientists working at an MI6 laboratory. [40] Mathilde Bourbin and Coline Defaud appear as Madeleine Swann's mother and young Madeleine respectively in the film's opening sequence.
Rykodisc's version included the gun barrel and opening sequence of the film as well as the jailbreak sequence, and the bombing of the bridge. [ 49 ] Additionally, the film featured a number of pieces of classical music, as the main Bond girl , Kara Milovy, is a cellist.
James Bond movies’ title sequences are some of the most iconic in film. Bold visuals hint at the film’s plot while a lush Bond theme song plays over elements like a gun, playing cards, a ...
One of the iconic things about James Bond movies is the opening credits sequence, which has always contained a memorable theme song. Here are the ten best James Bond theme songs, ranked by their ...
The gun barrel sequence as it appears in Dr.No (1962). The gun barrel sequence is a signature device featured in nearly every James Bond film. [1] Shot from the point of view of a presumed assassin, it features James Bond walking, turning, and then shooting directly at the camera, causing blood to run down the screen.
Debuting in theaters on Nov. 19, 1999, The World Is Not Enough marked Pierce Brosnan's third turn as James Bond following the success of GoldenEye and Tomorrow Never Dies.In the actor's 1999 film ...
The opening credit sequence was designed by graphic artist Robert Brownjohn, featuring clips of all James Bond films thus far projected on Margaret Nolan's body. Its design was inspired by seeing light projecting on people's bodies as they got up and left a cinema. [57]