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A resurgence of Celtic and medieval style Scottish jewellery occurred in the 19th century, [27] as did the popularisation of agate pieces, also known as "pebble jewellery". [28] During this period there was a rise in creation and wear of brooches and bracelets set with Scottish stones due to Queen Victoria's interest in agates, cairngorms ...
Under Doyle the company expanded its product lines to include jewellery. [3] A Newbridge silversmith. In 2007, the Museum of Style Icons was established at the Newbridge store and contains pieces of fashion history, including the hot pink cocktail dress worn by Audrey Hepburn in Breakfast at Tiffany's.
Celtic Revival jewellery become fashionable in the 1840s. [44] Utilising this trend, Waterhouse later placed the Tara Brooch as the centerpiece of his replica Celtic brooches in his Dublin shop, and exhibited it at the Great Exhibition of 1851 in London, the Great Industrial Exhibition of 1853 in Dublin, and Exposition Universelle of 1855 in Paris.
The Art of the Picts: Sculpture and Metalwork in Early Medieval Scotland. Thames and Hudson, 2004. ISBN 978-0-5002-8963-1; Johns, Catherine. The Jewellery of Roman Britain: Celtic and Classical Traditions, Routledge, 1996. ISBN 978-1-85728-566-6; Laing, Lloyd Robert. The archaeology of late Celtic Britain and Ireland, c. 400–1200 AD. Taylor ...
The couple eventually created the brand "Iona Celtic Art" and produced some of their designs in English factories. [3] The Ritchies were active during the Arts and Crafts movement, which was present in Scotland as well as internationally. [3] They took inspiration from Celtic culture and produced jewelry with Celtic designs. [4]
The name comes from the Luckenbooths of Edinburgh, where jewellery and trinkets used to be sold, including this type of brooch. [1] Luckenbooth is a Scots word for a lockable stall or workshop. [2] The Edinburgh booths were situated on the Royal Mile near St Giles Cathedral. They were the city's first permanent shops, going back to the 15th ...
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