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Through this, Huitzilopochtli replaced Nanahuatzin, the solar god from the Nahua legend. Huitzilopochtli was said to be in a constant struggle with the darkness and required nourishment in the form of sacrifices to ensure the sun would survive the cycle of 52 years, which was the basis of many Mesoamerican myths.
The Coyolxāuhqui stone sat at the base of the stairs of the Huēyi Teōcalli, the primary temple of the Mexica in Tenochtitlan, on the side dedicated to Huitzilopochtli. [14] The stone laid in the center of a platform that extended from the foot of the stairway. The temple is dedicated to Huītzilōpōchtli and the rain deity Tlāloc. [7]
Coatlicue (/ k w ɑː t ˈ l iː k w eɪ /; Classical Nahuatl: cōātl īcue, Nahuatl pronunciation: [koː(w)aːˈt͡ɬiːkʷeː] ⓘ, "skirt of snakes"), wife of Mixcōhuātl, also known as Tēteoh īnnān (pronounced [teːˈtéoʔˈíːnːaːn̥], "mother of the deities") is the Aztec goddess who gave birth to the moon, stars, and Huītzilōpōchtli, the god of the sun and war.
Huitzilopochtli, the patron god of the Mexica, as depicted in the Codex Telleriano-Remensis. After the decline of the Toltecs, about 1200 CE, various Nahua-speaking nomadic peoples entered the Valley of Mexico, possibly all from Aztlan, whose location is unknown. [12] The Mexica were the last group to arrive. [13]
In Aztec mythology, the Centzonhuītznāhua (Nahuatl pronunciation: [sent͡sonwiːtsˈnaːwa] or, the plural, Centzon Huītznāuhtin, [sent͡sonwiːtsˈnaːwtin]) were the gods of the southern stars. These "four hundred" (i.e. innumerable) brothers appear in some versions of the origin story of Huītzilōpōchtli, the god of the sun and war.
Huitzilopochtli is presented as the deity who guided the long migration the Aztecs undertook from Aztlan, their traditional home, to the Valley of Mexico. During the journey his image, in the form of a hummingbird, was carried upon the shoulders of priests, and at night his voice was heard giving orders.
The Nahui Ollin is composed of traditional Aztec ideologies, including the concepts of Tezcatlipoca, Quetzalcoatl, Huitzilopochtli, and Xipe Totec. The Nahui Ollin is used as a culturally responsive method of teaching and ultimately supporting the development of harmony and balance of the mind, body, spirit, and community.
Xiuhcoatl was a common subject of Aztec art, including illustrations in Aztec codices, and was used as a back ornament on representations of both Xiuhtecuhtli and Huitzilopochtli. [1] Xiuhcoatl is interpreted as the embodiment of the dry season and was the weapon of the sun. [ 2 ]