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The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance. Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations. The complex ...
A dropped ceiling is a secondary ceiling, hung below the main (structural) ceiling. It may also be referred to as a drop ceiling, T-bar ceiling, false ceiling, suspended ceiling, grid ceiling, drop in ceiling, drop out ceiling, or ceiling tiles and is a staple of modern construction and architecture in both residential and commercial applications.
The ceiling was painted at the commission of Pope Julius II. The ceiling's various painted elements form part of a larger scheme of decoration within the chapel. Prior to Michelangelo's contribution, the walls were painted by several leading artists of the late 15th century including Sandro Botticelli, Domenico Ghirlandaio, and Pietro Perugino.
curvature of e.g. plasterwork to fill the space above the kitchen cabinets, at the corner of the ceiling and wall: coving (interior design) underside of office ceiling of tiles (often gypsum) suspended, fastened or bonded to a grid system attached to the walls and/or ceiling: false/suspended ceiling (tiles/grid) or dropped ceiling
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two ...
Basic principle of the corbeled arch design ("false arch"). For the sake of comparison, a semicircular arch with wedge-shaped voussoirs maintained by a central keystone (" true arch"). A corbel arch (or corbeled / corbelled arch ) is an arch -like construction method that uses the architectural technique of corbeling to span a space or void in ...
The ceiling before the restoration [c]. The preliminary experimentation for the modern restoration began in 1979. The restoration team comprised Gianluigi Colalucci, Maurizio Rossi, Piergiorgio Bonetti, and others, [6] who took as their guidelines the Rules for restoration of works of art as established in 1978 by Carlo Pietrangeli, director of the Vatican's Laboratory for the Restoration of ...
A section of the Sistine Chapel ceiling. To be able to reach the ceiling, Michelangelo needed a support; the first idea was by Julius' favoured architect Donato Bramante, who wanted to build for him a scaffold to be suspended in the air with ropes. However, Bramante did not successfully complete the task, and the structure he built was flawed.
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