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The motto DECUS ET TUTAMEN ("an ornament and a safeguard") was added to the edge of the crown, as well as the regnal year in Roman numerals: [25] [26] thus some 1893 crowns render this as LVI (the 56th year of Victoria's reign) and some as LVII, with the pattern continuing until 1900 (the last year of Victoria's reign in which crowns were ...
The Albanian traditional felt cap (Albanian: plis, cognate of pilos [11] and pileus) originated from a similar felt cap worn by the Illyrians. [ 21 ] [ 22 ] The 1542 Latin dictionary De re vestiaria libellus, ex Bayfio excerptus equated an Albanian hat with a kyrbasia , and described it as a "tall pileus [hat] in the shape of a cone" ( pileus ...
The quatrefoil depicts the opening of the cosmic central axis at the crossroads of the four cardinal directions, representing the passageway between the celestial and the underworld. [7] Another early example of a quatrefoil is found at Chalcatzingo, Morelos state, Mexico, the city that flourished between 700 BCE and 500 BCE. Both a full ...
Starting in the 1920s, fedoras began to rise in popularity after the Prince of Wales adopted the felt hat as his favored headwear. As a result, "the soft felt hat replaced the stiff hat as the best seller in the decade". The fedora soon took its place as a choice hat and joined other popular styles that included the derby and the homburg. [15]
Emblem of the Holy See.The crossed keys symbolise the Keys of Peter.The keys are gold and silver to represent the power of loosing and binding. The triple crown (the tiara) symbolizes the triple power of the Pope as "father of kings", "governor of the world" and "Vicar of Christ". [1]
The carpets are treated with exceptional care in the rendering of colors, patterns, and details of form and design: The painted texture of a carpet depicted in Petrus Christus's Virgin and Child, the drawing of the individual patterns and motifs, and the way the pile opens where the carpet is folded over the steps, all suggest that the depicted ...
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The form of the throne with its low back flowing into sloping arm-rests, reveals features typical of Iranian furniture of the 16th-17th centuries. The makers have used ornament beloved in the East, i.e. strips of gold decorated with a foliate pattern and coloured stones - blue turquoises and red rubies, tourmalines.
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