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"Some Enchanted Evening" (1965) " Cara Mia " is a popular song published in 1954 that became a UK number 1, [ 1 ] and US number 10 hit and Gold record for English singer David Whitfield in 1954, and a number 4 hit for the American rock group Jay and the Americans in 1965.
Included in the film, but not on the soundtrack, are "Gee" by the Crows, "Louie Louie" by Flash Cadillac & the Continental Kids, and Harrison Ford's in-character a cappella rendition of "Some Enchanted Evening" (though the reason for the latter two's exclusion is due to the fact that those sequences weren't added to the film until the 1978 re ...
Rodgers (left) and Hammerstein (right) watching auditions at the St. James Theatre on Broadway in 1948. Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals.
The Original Soundtrack to the film South Pacific was released by RCA Victor in 1958. The film was based on the 1949 musical South Pacific by Rodgers and Hammerstein.The composers had much say in this recording, with many of the songs performed by accomplished singers rather than the actors in the film. [1]
"There Is Nothing Like a Dame" (for 4 part male voices, 2 tenors and 2 basses) is one of the songs from the 1949 musical South Pacific. [1] The song was written by Richard Rodgers with lyrics by Oscar Hammerstein II. [2]
A Grand Night for Singing is a musical revue showcasing the music of Richard Rodgers and the lyrics of Oscar Hammerstein II.. Featuring songs from such lesser-known works as Allegro, Me and Juliet, State Fair, and Pipe Dream, modest successes like Flower Drum Song and hits like Carousel, Oklahoma!, The King and I, South Pacific, Cinderella and The Sound of Music, it originally was presented ...
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Culture writer Martin Chilton defines the term "Great American Songbook" as follows: "Tunes of Broadway musical theatre, Hollywood movie musicals and Tin Pan Alley (the hub of songwriting that was the music publishers' row on New York's West 28th Street)". Chilton adds that these songs "became the core repertoire of jazz musicians" during the ...
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