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The body of art, including painting, sculpture, architecture, music and literature identified as "Renaissance art" was primarily produced during the 14th, 15th, and 16th centuries in Europe under the combined influences of an increased awareness of nature, a revival of classical learning, and a more individualistic view of man. [3]
The influences upon the development of Renaissance painting in Italy are those that also affected architecture, engineering, philosophy, language, literature, natural sciences, politics, ethics, theology, and other aspects of Italian society during the Renaissance period. The following is a summary of points dealt with more fully in the main ...
The classicism of the Renaissance led to, and gave way to, a different sense of what was "classical" in the 16th and 17th centuries. In this period, classicism took on more overtly structural overtones of orderliness, predictability, the use of geometry and grids, the importance of rigorous discipline and pedagogy, as well as the formation of ...
The dominant art forms of the English Renaissance were literature and music, which had a rich flowering. [93] Visual arts in the English Renaissance were much less significant than in the Italian Renaissance. The English Renaissance period in art began far later than the Italian, which had moved into Mannerism by the 1530s. [94]
Filippo Lippi, Adoration in the Forest, by 1459 Cimabue, Madonna of Santa Trinita, c. 1285, once in the church of Santa Trinita, now in the Uffizi Gallery. Florentine painting or the Florentine school refers to artists in, from, or influenced by the naturalistic style developed in Florence in the 14th century, largely through the efforts of Giotto di Bondone, and in the 15th century the ...
The beginning of a self-conscious classical tradition is usually located in the Renaissance, with the work of Petrarch in 14th-century Italy. [9] Although Petrarch believed that he was recovering an unobstructed view of a classical past that had been obscured for centuries, the classical tradition in fact had continued uninterrupted during the Middle Ages. [10]
Primarily through the depiction of architecture, Renaissance artists were able to practice the art of three-dimensional illusion using linear perspective, which gave their works a greater sense of depth. [3] The pictures in the gallery below show the development of linear perspective in buildings and cityscapes.
Detail of the main altar of the Miraflores Charterhouse, Spain. Gil de Siloé.Polychrome wood, 1496–1499. Gothic sculpture was a sculpture style that flourished in Europe during the Middle Ages, from about mid-12th century to the 16th century, [Note 1] evolving from Romanesque sculpture and dissolving into Renaissance sculpture and Mannerism.