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There have been at least 80 commercial recordings of The Planets. [64] Holst conducted the London Symphony Orchestra in the first two recorded performances: the first was an acoustic recording made in sessions between September 1922 and November 1923; [65] the second was made in 1926 using the new electrical recording process. [66]
This is a discography of commercial recordings of The Planets, Op. 32, an orchestral suite by Gustav Holst, composed between 1914 and 1916, and first performed by the Queen's Hall Orchestra conducted by Adrian Boult on 29 September 1918. It includes the composer's own recordings made in 1922–1923 and 1926.
Holst was born in Cheltenham, Gloucestershire, the elder of the two children of Adolph von Holst, a professional musician, and his wife, Clara Cox, née Lediard. She was of mostly British descent, [n 1] daughter of a respected Cirencester solicitor; [2] the Holst side of the family was of mixed Swedish, Latvian and German ancestry, with at least one professional musician in each of the ...
Below is a sortable list of compositions by Gustav Holst. The works are categorized by genre, H. catalogue number ( A Thematic Catalogue of Gustav Holst's Music by Imogen Holst, London, Faber Music Ltd., 1974), opus number , date of composition and title.
Moog – Isao Tomita adapted The Planets for a Moog and other synthesizers and electronic devices. [9] The original LP release prompted legal action from Holst's estate. The composer's daughter, Imogen Holst, worked hard to prevent the recording being distributed in the UK. [10]
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The Toniebox has been selling like mad this year. It's an audio player for kids that can play stories, podcasts, and songs. Each box comes with a character — a "Tonie" — whose audio matches ...
The Bournemouth Symphony Orchestra recording of Gustav Holst's The Planets, conducted by George Hurst, was used on the soundtrack of Nicolas Roeg's film The Man Who Fell to Earth. The orchestra were featured in a short-lived series of programmes on the local commercial radio station 2CR.
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