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Little Concerto for piano or harpsichord, organ, and chamber orchestra, Op. 88 (1940) Tricks and Trifles, Op. 101 (1945) Double Concerto for violin, piano and small orchestra, Op. 124 (1950)
A vocal technique involving a wide or slow vibrato, not to be confused with the trillo or "Monteverdi trill" Tremolo is sometimes used interchangeably with vibrato. However, a tremolo is a variation of volume (or amplitude); as contrasted with vibrato, which is a variation of pitch (or frequency).
Download as PDF; Printable version; ... Extended vocal technique; ... Piano concerto; Piano duet; Piano extended technique; Piano four hands;
Au delà du hasard (premier "commentaire" de "Affranchi du hasard" et du "Temps restitué") for four instrumental groups and one vocal group (1958–59) Chant après chant for six percussionists, voice and piano (1966) Concerto for six instrumental groups and two solo instruments (vibraphone and clarinet) (1962–68) Étude for 3-track tape ...
This is a list of musical compositions that employ extended techniques to obtain unusual sounds or instrumental timbres. Hector Berlioz "Dream of Witches' Sabbath" from Symphonie Fantastique. The violins and violas play col legno, striking the wood of their bows on the strings (Berlioz 1899, 220–22). Heinrich Ignaz Franz von Biber; Battalia ...
In "Abschied", Gerlach observed the "metaphorical transformation of the lyric self" in the expressive tremolo passage. [2] In the music's "rich chords, parallel thirds and sixths, and heavy bass octaves", Hans Heinz Stuckenschmidt heard Brahms. But in its chromaticism and orchestral approach to the piano (including tremolos), he identified ...
Musical technique is the ability of instrumental and vocal musicians to exert optimal control of their instruments or vocal cords in order to produce the precise musical effects they desire. Improving one's technique generally entails practicing exercises that improve one's muscular sensitivity and agility. Technique is independent of musicality.
There are a number of pieces which require a singer to lean over a (sometimes amplified) piano and sing directly into the strings. If the strings are not damped, the effect is to start audible sympathetic vibrations in the piano. By far the most famous piece to use this technique is Ancient Voices of Children by George Crumb. [citation needed]