Search results
Results from the WOW.Com Content Network
The New York Times Manual of Style and Usage: The Official Style Guide Used by the Writers and Editors of the World's Most Authoritative Newspaper is a style guide first published in 1950 by editors at the newspaper and revised in 1974, 1999, and 2002 by Allan M. Siegal and William G. Connolly. [1]
The characters are specified using the encoding of a selected font resource. A font object in PDF is a description of a digital typeface. It may either describe the characteristics of a typeface, or it may include an embedded font file. The latter case is called an embedded font while the former is called an unembedded font.
Just My Type: A Book About Fonts is a nonfiction book by Simon Garfield, a British journalist and non-fiction author.The book touches on typography in our daily lives, specifically why people dislike Comic Sans, Papyrus, and Trajan Capitals; the overwhelming European popularity of Helvetica; and how a font can make a person seem such a way, such as masculine, feminine, American, British ...
An easy read document is usually presented in at least 14-point text, in a sans-serif font, is limited to 24 pages of content, and includes carefully selected images to help people understand. [2] The UK government promotes the use of easy read across the public sector, in order to increase access to public services. [3]
Boldface is often applied to the first occurrence of the article's title word or phrase in the lead.This is also done at the first occurrence of a term (commonly a synonym in the lead) that redirects to the article or one of its subsections, whether the term appears in the lead or not (see § Other uses, below).
Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word sans, meaning "without" and "serif" of uncertain origin, possibly from the Dutch word schreef meaning "line" or pen ...
The 1950s saw the distillation of International Typographic Style elements into sans-serif font families such as Univers. Univers paved the way for Max Miedinger and collaborator Edouard Hoffman to design the typeface Neue Haas Grotesk, which would be later renamed Helvetica. The goal with Helvetica was to create a pure typeface that could be ...
Compressing a font design to a condensed weight is a complex task, requiring the strokes to be slimmed down proportionally and often making the capitals straight-sided. [a] [11] It is particularly common to see condensed fonts for sans-serif and slab-serif families, since it is relatively practical to modify their structure to a condensed ...