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A full set, as the name implies, is a complete set of uilleann pipes. This would be a half set with the addition of three regulators. This would be a half set with the addition of three regulators. These are three closed pipes, similar to the chanter, held in the stock.
William Talbot [1] was a 19th century player, teacher, repairer and builder of the Irish bagpipes, commonly known as the uilleann pipes, the characteristic national bagpipes of Ireland. In 1821 he played for King George IV [ 2 ] at the Dublin Theatre Royal when the King visited Dublin in August 1821. [ 3 ]
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Pastoral pipes: Although the exact origin of this keyed, or un-keyed chanter and keyed drones (regulators), pipe is uncertain, it developed into the modern uilleann bagpipe. Zetland pipes: a reconstruction of pipes believed to have been brought to the Shetland Islands by the Vikings, though not clearly historically attested.
Robert Reid was also active in making Union Pipes; the precursor to modern Uilleann pipes. Union pipes early-19th century keyed D-Chanter; by the pipe maker Robert Reid Henry Clough (I) was known to play a Reid set of Union pipes including regulators; surviving parts of this set are now in private hands.
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Na Píobairí Uilleann (Irish: [n̪ˠə ˈpʲiːbˠəɾʲiː ˈɪl̠ʲən̪ˠ]; meaning "The Uilleann Pipers") is a non-profit organization dedicated to the promotion of the Irish Uilleann pipes and its music. [1]
"Patsy" Touhey was born 26 February 1865, near Loughrea, County Galway, Ireland.According to Captain Francis O'Neill in his seminal work "Irish Minstrels and Musicians" Touhey was the third generation of accomplished pipers stemming from his grandfather, Michael Twohill (the original spelling, b. ca. 1800), his father James (b. 1839) and his uncle Martin, who were considered accomplished players.