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Half-Caste" is a poem by Guyanese poet John Agard that looks at people's ideas and usage of the term "half-caste", a derogatory term for people of multiracial descent. The poem is included within Agard's 2005 collection of the same name, in which he explores a range of issues affecting black and mixed-race identity in the UK.
Presents from my Aunts in Pakistan" is a poem by Moniza Alvi. [1] Alvi describes a few gifts that she receives from her aunts. This is a metaphor for her Pakistani culture, and she says how much it clashes with her English culture. The poem is about the poet's struggle to find which culture she truly belongs to; Pakistani or English.
The poem is about the contrast between these people and the gap that is developing between the rich and poor even in the USA which is meant to be a 'democracy'. [ 1 ] [ 2 ] The description of the couple as "Beautiful People" is perhaps ironic as the term was first used to describe those had held countercultural ideals during the 1960s. [ 2 ]
The 2004 AQA Anthology was a collection of poems and short texts. The anthology was split into several sections covering poems from other cultures, the poetry of Seamus Heaney, [4] Gillian Clarke, Carol Ann Duffy and Simon Armitage, and a bank of pre-1914 poems. There was also a section of prose pieces, which could have been studied in schools ...
An 1870 illustration by David Bonwick titled Last of the Tasmanians Woodcut 12 - with the description -- Walter George Arthur with his half-caste wife Mary Anne. Half-caste is a term used for individuals of multiracial descent. [1] The word caste is borrowed from the Portuguese or Spanish word casta, meaning race.
GCSE Bitesize was launched in January 1998, covering seven subjects. For each subject, a one- or two-hour long TV programme would be broadcast overnight in the BBC Learning Zone block, and supporting material was available in books and on the BBC website. At the time, only around 9% of UK households had access to the internet at home.
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The Bulletin said Baume "tells vividly and clearly, often poignantly, the problems that beset the half-caste Maori girl who is highly educated but is without money or social background." [ 3 ] The Australian Woman's Mirror called it "a frankly realistic and in parts savagely critical piece of writing."