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The reverse version fared reasonably well on the flip side, since the martial drumming of the A side remained more or less intact, and the lyrics were only slightly less warped. [citation needed] An example of the use of reverse tape effects is the song "Roundabout" (1972) by the British progressive rock group Yes.
When done on tape, such use of backmasking is known as reverse tape effects. Backmasking has been used for artistic effect by Missy Elliott ("Work It", [48]), Jay Chou ("You Can Hear" [49]) At the Drive-In ("300 MHz" [50]), Klaatu ("Anus of Uranus"/"Silly Boys", [51]) and Lacuna Coil ("Self Deception" [52]) A related technique is to reverse an ...
Time reversal may refer to: . Reverse motion – a visual effect in which reversing the order of the frames of a film or video makes time appear to run backward; Reverse tape effects – an audio effect in which reversing the direction of an audio recording renders sounds backward
Reverse reverb is commonly used in shoegaze, particularly by such bands as My Bloody Valentine and Spacemen 3. It is also often used as a lead-in to vocal passages in hardstyle music, and various forms of EDM and pop music. The reverse reverb is applied to the first word or syllable of the vocal for a build-up effect or other-worldly sound.
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio.
Ethnomusicologist David Reck recognises the song as "a more subtle absorption of Orientalism" in comparison with "Tomorrow Never Knows" and "Love You To", but one nevertheless possessing an Indian sound through Harrison's distorted lead guitar, Ringo Starr's drumming, and the use of reverse tape effects.
A reel-to-reel tape recorder (Sony TC-630), typical of a 1970s audiophile device. Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the supply reel (or feed reel) containing the tape is placed on a spindle or hub.
It involved delaying the recorded (dry) signal, sending it into the studio's echo chamber using a tape machine. The dry signal (without delay) was also sent to the chamber via the tape machine's replay head. The resulting sound was picked up by two condenser microphones. These microphones then fed the wet signal back to the recording console. [5]