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For I say to you, you shall see Me no more till you say, 'Blessed is He who comes in the name of the Lord!' [19] Citing Psalm 118 :26, and echoing Matthew 21 :19, Let no fruit grow on you ever again , [ 20 ] these words are addressed to "the Jews in general, [the] men of Jerusalem in particular".
The Hymn of Jesus was so great a success as to bewilder its composer; he quoted the Biblical verse, "Woe to you when all men speak well of you!". [17] One of the performers at the original Royal College of Music performance later remembered that "To many the work was like a trumpet call in the renaissance of English creative music. To some of ...
The three unrepentant cities lay around the northern shore of the Sea of Galilee.. The "Woes to the unrepentant cities" is a set of significant passages in The Gospel of Matthew and Luke that record Jesus' pronouncement of judgement on several Galilean cities that have rejected his message despite witnessing His miracles.
James Tissot, Woe unto You, Scribes and Pharisees, Brooklyn Museum. The Woes of the Pharisees are series of criticisms by Jesus against scribes and Pharisees recorded in Luke 11:37–54 and Matthew 23:1–39. [1] Mark 12:35–40 and Luke 20:45–47 also include warnings about scribes.
The sense of the word woe (Greek: Ου̉̀αὶ, Latin: væ) is commented on by a number of church fathers. John Chrysostom states that it is, "always said in the Scriptures to those who cannot escape from future punishment." St. Gregory likewise notes that it "oftentimes in Scripture denotes the wrath of God and everlasting punishment." [2]
Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz. Joseph Haydn composed string quartets titled Die sieben letzten Worte unseres Erlösers am Kreuze (The seven last words of our Redeemer on the cross).
Marked "Andante espressivo", the music is in G-flat major and common time. It takes about 2 + 1 ⁄ 2 minutes to perform. Rutter also wrote an arrangement for soprano, alto and keyboard in F major [4] and a version for choir and orchestra. [2] In "The Lord bless you and keep you", Rutter keeps the music restrained and simple.
Singing the Living Tradition was the first standard denominational hymnbook to include songs from Unitarians in Eastern Europe, spirituals from the African American tradition, folk and popular songs, music of major, non-Christian religious traditions, and chants and rounds gathered from the various traditions of the world.
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