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"Medium-specificity is based on the distinct materiality of artistic media." As early as 1776 Gotthold Ephraim Lessing "contends that an artwork, in order to be successful, needs to adhere to the specific stylistic properties of its own medium." [4] Today, the term is used both to describe artistic practices and as a way to analyze artwork.
Unfilmability is a type of medium specificity which prevents a work of literature from undergoing successful film or television adaptation. A wide variety of considerations can lead to a work being seen as unfilmable.
Sonia Delaunay, Blaise Cendrars, 1913, La Prose du Transsibérien et de la petite Jehanne de France, illustrated book with watercolor applied through pochoir and relief print on paper, 200 x 35.6 cm, Princeton University Art Museum.jpg 380 × 1,986; 611 KB
Clement Greenberg (/ ˈ ɡ r iː n b ɜːr ɡ /) (January 16, 1909 – May 7, 1994), [1] occasionally writing under the pseudonym K. Hardesh, was an American essayist known mainly as an art critic closely associated with American modern art of the mid-20th century and a formalist aesthetician.
There are many different effective medium approximations, [5] each of them being more or less accurate in distinct conditions. Nevertheless, they all assume that the macroscopic system is homogeneous and, typical of all mean field theories, they fail to predict the properties of a multiphase medium close to the percolation threshold due to the absence of long-range correlations or critical ...
Download QR code; Print/export ... 1974 – 1995 [10] and edited the exhibition book. ... dealt a blow to concepts of medium specificity and patrilineal avant-garde ...
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Media, or mediums, are the core types of material (or related other tools) used by an artist, composer, designer, etc. to create a work of art. [1] For example, a visual artist may broadly use the media of painting or sculpting, which themselves have more specific media within them, such as watercolor paints or marble.