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Fernando Cabrera en Los Nuevos Canibales: Antologia de la mas reciente poesia del Caribe Hispano. Santo Domingo, Cuba, Puerto Rico, Ediciones Union, Vol. II, 2003. Pena, Jose Alejandro. Las pelucas Delirantes: la poesia de la Generacion de los Ochenta dominicana. Estados Unidos: Sociedad Internacional de Escritores, 2006. Geron, Candido ...
Pedro Francisco Bonó. The first novel written by a Dominican was El montero (published in Paris, France in 1856), by Pedro Francisco Bonó, although some literary historians argue that the first Dominican novel is Los amores de los indios (published in Havana, Cuba in 1843) by Alejandro Angulo Guridi or even Cecilia, by the same author, which, although published incomplete in the Sunday ...
He was a member of the Academia Dominicana de la Lengua, a member of the Facultad de Ciencias y Artes Musicales of the Universidad de Chile, and was a recipient of the Order of Merit of Duarte, Sánchez and Mella. Rueda won the Premio Annual de Literatura ("Annual Literature Award") six times, and in 1995 he won the Premio Teatral Tirso de Molina.
Pedro Julio Mir Valentín (3 June 1913, San Pedro de Macorís – 11 July 2000, Santo Domingo) was a Dominican poet and writer, named Poet Laureate of the Dominican Republic by Congress in 1984, and a member of the generation of "Independent poets of the 1940s" in Dominican poetry.
La Poesía Sorprendida (Spanish for “Surprised poetry”) was a Dominican literary movement and avant-garde journal that existed from October 1943 to May 1947. Rebelling from the nationalism and realism that prevailed in Dominican poetry at the time, the sorprendistas sought to cultivate a universal poetics that explored the psyche and soul in surrealistic ways.
Aida Cartagena Portalatin: selección poética, Consejo Nacional de Educación (Santo Domingo, Dominican Republic), 2000. Obra poética completa: 1955-1984, Biblioteca Nacional de la República Dominicana (Santo Domingo, Dominican Republic), 2000. Contributor to periodicals, including La Poesia Sorprendida.*
Colección del Banco Central de la República Dominicana. Santo Domingo, 2009. La Mañosa: una excelente fotografía del siglo XX dominicano. Dos coloquios sobre la obra de Juan Bosch. Colección del Banco Central de la República Dominicana. Santo Domingo, 2010. El exilio republicano español y sus aportes a la modernidad en el arte dominicano.
Salomé Ureña Díaz de Henríquez (October 21, 1850 – March 6, 1897) was a Dominican poet and teacher, being one of the central figures of 19th-century lyrical poetry and advocator for women's education in the Dominican Republic, influenced by the positivist schools and the normal education of Eugenio María de Hostos, of whom she was an ...