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Cybernetic art is contemporary art that builds upon the legacy of cybernetics, where feedback involved in the work takes precedence over traditional aesthetic and material concerns. The relationship between cybernetics and art can be summarised in three ways: cybernetics can be used to study art, to create works of art or may itself be regarded ...
Cyborg art, also known as cyborgism, [1] is an art movement that began in the mid-2000s in Britain. [2] It is based on the creation and addition of new senses to the body via cybernetic implants [ 3 ] and the creation of art works through new senses. [ 4 ]
Nicolas Schöffer (Hungarian: Schöffer Miklós; 6 September 1912 — 8 January 1992) was a Hungarian-born French cybernetic artist.Schöffer was born in Kalocsa, Hungary and lived in France from 1936 until his death in Montmartre, Paris in 1992.
Jean Lebris from Maurice Renard's novel L'Homme truqué (1921). [10]The Clockwork man from a novel of same name written by E.V. Odle in 1923. [11]Gabriel, real name Benedict Masson, from Gaston Leroux's novel La Poupée sanglante (1923).
Wen-Ying Tsai (Chinese: 蔡文穎; pinyin: Cài Wényǐng; Wade–Giles: Ts'ai Wen-ying; October 13, 1928 – January 2, 2013) was a Chinese-American pioneer cybernetic sculptor and kinetic artist best known for creating sculptures using electric motors, stainless steel rods, stroboscopic light, and audio feedback control.
Roy Ascott FRSA (born 26 October 1934) is a British artist, who works with cybernetics and telematics on an art he calls technoetics by focusing on the impact of digital and telecommunications networks on consciousness. Since the 1960s, Ascott has been a practitioner of interactive computer art, electronic art, cybernetic art and telematic art.
Tokugawa, from Cybernetic Samurai by Victor Milán (1985) The City of Mind, from Ursula K. Le Guin's Always Coming Home; Com Pewter, a character from Piers Anthony's Xanth series. First appearing in Golem in the Gears (1986 onward), it is a machine which can alter its local reality. Jane, from Orson Scott Card's Ender's Game series, Ender's ...
Cybernetic Serendipity was an exhibition of cybernetic art curated by Jasia Reichardt, shown at the Institute of Contemporary Arts, London, England, from 2 August to 20 October 1968, [1] and then toured across the United States.