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Catastrophe theory studies dynamical systems that describe the evolution [5] of a state variable over time : ˙ = = (,) In the above equation, is referred to as the potential function, and is often a vector or a scalar which parameterise the potential function.
"In a World Called Catastrophe" is a song by Canadian rock artist Matthew Good. It was released in January 2003 as the second single from his debut solo album, Avalanche. The song reached number 5 on Canada's Singles Chart. [1] As with the previous single "Weapon", the song features accompaniment by the Vancouver Symphony Orchestra.
"The Full Catastrophe" is a song by American rock singer/composer John Mellencamp in his 1996 album Mr. Happy Go Lucky, in his 1999 collection Rough Harvest, and in his 2010 boxed set On the Rural Route 7609. Full Catastrophe Living is a 2009 poetry collection by the American poet Zach Savich. The book won the 2008 Iowa Poetry Prize.
A decade later, with AI more prevalent than ever, Professor Bostrom has decided to explore what will happen if things go right; if AI is beneficial and succeeds in improving our lives without ...
The film's songs are included in full, with "Christmas In Heaven" having a longer fade-out than appears in the film. The original UK vinyl release had the traditional George Peckham messages etched on the runout grooves. The first side read: "GADZOOKS!!! NO TIME LEFT. TURN OVER FOR "THE MEANING OF LIFE" NOW.
The song debuted in the album American Pie in October 1971 and was released as a single in November. The song's eight-and-a-half-minute length meant that it could not fit entirely on one side of the 45 RPM record, so United Artists had the first 4: 11 taking up the A-side of the record and the final 4: 31 the B-side. Radio stations initially ...
Catastrophe modeling [1] (also known as cat modeling) is the process of using computer-assisted calculations to estimate the losses that could be sustained due to a catastrophic event such as a hurricane or earthquake.
Fear of a Black Planet is the third studio album by American hip hop group Public Enemy.It was released on April 10, 1990, by Def Jam Recordings and Columbia Records, and produced by the group's production team The Bomb Squad, who expanded on the sample-layered sound of Public Enemy's previous album, It Takes a Nation of Millions to Hold Us Back (1988).