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Argentine writer Julio Cortázar, a self-described Armstrong admirer, asserted that a 1952 Louis Armstrong concert at the Théâtre des Champs-Élysées in Paris played a significant role in inspiring him to create the fictional creatures called Cronopios that are the subject of a number of Cortázar's short stories. Cortázar once called ...
The Complete Louis Armstrong Decca Sessions 1935–1946 (Mosaic Records, 2009) [27] The Columbia & RCA Victor Live Recordings of Louis Armstrong & The All-Stars (Mosaic Records, 2013) [28] The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946–66 (Mosaic Records, 2021) [29] Louis Wishes You a Cool Yule (Verve Records/UMe ...
It should only contain pages that are Louis Armstrong songs or lists of Louis Armstrong songs, as well as subcategories containing those things (themselves set categories). Topics about Louis Armstrong songs in general should be placed in relevant topic categories .
Armstrong's popularity among African-American audiences dropped because of the song, but at the same time it helped the trumpeter to make his fan base broader. [6] In protest during the 1950s, African Americans burned their copies of the song, which forced Armstrong to re-evaluate and change the song's lyrics in a reissue. [ 7 ]
This is one of Louis Armstrong's earliest film appearances. Armstrong and his orchestra perform "High Society Rag", the title song, and "Chinatown". [4] The use of a currently popular musician represented competition with the contemporaneous music library accessibility greatly exploited by animators Hugh Harman and Rudolf Ising, when producing musically-synchronized shorts for the Warner Bros ...
The Night Before the Premiere (Die Nacht vor der Premiere) (1959), as Louis Armstrong; The Five Pennies (1959), as Louis Armstrong; The Beat Generation (1959), as Louis Armstrong; La Paloma (1959), as Louis Armstrong; Kærlighedens melodi (Formula for Love) (1959), as Musician with Orchestra; Paris Blues (1961), as Wild Man Moore; Auf ...
Porgy and Bess is a studio album by jazz vocalist and trumpeter Louis Armstrong and singer Ella Fitzgerald, released on Verve Records in 1959. The third and final of the pair's albums for the label, it is a suite of selections from the George Gershwin opera Porgy and Bess.
Louis Armstrong and his Hot Seven was a jazz studio group organized to make a series of recordings for Okeh Records in Chicago, Illinois, in May 1927. [1] Some of the personnel also recorded with Louis Armstrong and His Hot Five , including Johnny Dodds (clarinet), Lil Armstrong (piano), and Johnny St. Cyr (banjo and guitar).