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Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful .
Although the kanji characters for "rust" are not the same as sabi (寂) in wabi-sabi, the original spoken word (pre-kanji, yamato-kotoba) are believed to be one and the same. [12] [13] Modern tea vessel made in the wabi-sabi style. Wabi and sabi both suggest sentiments of desolation and solitude.
A tokonoma with a kakemono and ikebana flower arrangement Detailed view of a tokonoma and aspects of a Japanese room View from the side of a tokonoma Tokonoma at Tenryū-ji. A tokonoma (床の間), [1] or simply toko (床), [2] [3] is a recessed space in a Japanese-style reception room, in which items for artistic appreciation are displayed.
The writings of author Murakami Haruki (born 1949) are considered to be iki through their clear and unflinching writing style. In contrast, author Kawabata Yasunari (1899–1972) is considered, through his more poetic style focusing on the interior "complex" of his characters, to be more closely aligned with the aesthetic ideal of wabi-sabi ...
Japanese Buddhist architecture is the architecture of Buddhist temples in Japan, consisting of locally developed variants of architectural styles born in China. [1] After Buddhism arrived from the continent via the Three Kingdoms of Korea in the 6th century, an effort was initially made to reproduce the original buildings as faithfully as possible, but gradually local versions of continental ...
According to Japanese historian Moriya Takeshi in his article "The Mountain Dwelling Within the City", the ideal of wabi-style tea ceremony (wabi-cha) had its roots in the urban society of the Muromachi period (1336 to 1573), and took form in the tea houses that townspeople built at their residences and which affected the appearance of thatched ...
The Anglo-Japanese style developed in the United Kingdom through the Victorian era and early Edwardian era from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and ...
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.
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3500 N. Landers Rd., North Little Rock, AR · Directions · (501) 955-5532