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Melodic motion: ascending vs. descending X conjunct vs. disjunct Melodic motion is the quality of movement of a melody , including nearness or farness of successive pitches or notes in a melody . This may be described as conjunct or disjunct, stepwise, skipwise or no movement , respectively.
Interval recognition, the ability to name and reproduce musical intervals, is an important part of ear training, music transcription, musical intonation and sight-reading. Reference songs [ edit ]
Note: In the example image above, the annotation "the intervals in the second sequence are the same as in the first" is not entirely correct. The descending pitches in the first segment (G to A), have different intervals than in the second segment (C to D). The difference being in the last three pitches (C, B ♭, A versus F, E, D).
A melodic motif is a melodic formula, established without reference to intervals. A rhythmic motif is the term designating a characteristic rhythmic formula, an abstraction drawn from the rhythmic values of a melody. A motif thematically associated with a person, place, or idea is called a leitmotif or idée fixe. [7]
A diminished interval is an interval obtained from a minor interval or perfect interval by narrowing it by a chromatic semitone, meaning that the interval is narrowed by a semitone, but the staff positions are not changed (only an accidental is changed); the process may occasionally be referred to as diminution For example, a diminished sixth ...
The interval of a tritone in three notes should be avoided (for example, an ascending melodic motion F–A–B ♮) [19] as is the interval of a seventh in three notes. There must be a climax or high point in the line countering the cantus firmus. This usually occurs somewhere in the middle of exercise and must occur on a strong beat.
One example of melodic motive and sequence are the pitches of the first line, "Send her victorious," repeated, a step lower, in the second line, "Happy and glorious," from "God Save the Queen". Melodic pattern in C major. [5] "A melodic pattern is just what the name implies: a melody with some sort of fixed pattern to it."
In the common practice period, musical style required preparation for all dissonances, [citation needed] followed by a resolution to a consonance. There was also a distinction between melodic and harmonic dissonance. Dissonant melodic intervals included the tritone and all augmented and diminished intervals. Dissonant harmonic intervals included: