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Jirō Yoshihara (吉原 治良, Yoshihara Jirō, January 1, 1905 – February 10, 1972) was a Japanese painter, art educator, curator, and businessman.. Mainly known for his gestural abstract impasto paintings from the 1950s and Zen-painting inspired hard-edge Circles beginning in the 1960s, Yoshihara's oeuvre also encompasses drawings, murals, sculptures, calligraphy, ink wash paintings ...
Action painting was a style widespread from the 1940s until the early 1960s, and is closely associated with abstract expressionism (some critics have used the terms action painting and abstract expressionism interchangeably).
His early 1950s paintings were "both abstract and expressionist" [2] with an active surface " very moving, full of feeling, emotional" [3] displaying the "painterly touch" [4] that was identified with the artists exhibiting at the Charles Egan Gallery. His paintings remained fully abstract until the early 1960s when figures and faces began to ...
The exhibition, especially Mitchell's "Sunflower" paintings from the late 1960s-early 1970s, received critical acclaim. [31] Writing for The New York Times , Peter Schjeldahl predicted that Mitchell would ultimately be recognized "as one of the best American painters not only of the fifties, but of the sixties and seventies as well."
His early work is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. In the late 1960s he began his extensive series of geometric, lyrical abstract paintings. Known as the Ocean Park paintings, these paintings were instrumental to his achievement of worldwide acclaim.
American abstract art was struggling to win acceptance and AAA personified this. The 1938 Yearbook addressed criticisms levied against abstract art by the press and public. It also featured essays related to principles behind and the practice of making abstract art. In 1940, AAA printed a broadside titled "How Modern is the Museum of Modern Art?"
By the early 1960s, minimalism had emerged as an abstract movement in art, with roots in geometric abstraction via Malevich, the Bauhaus, and Mondrian.This movement rejected the ideas of relational and subjective painting, the complexity of abstract expressionist surfaces, and the emotional zeitgeist and polemics present in action painting.
His early encaustic painting Flag (1954–55), painted after having a dream of it, marks the beginning of this new period. [22] The motif allowed Johns to create a painting that was not completely abstract because it depicts a symbol (the American flag), yet it draws attention to the design of the symbol itself.
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