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The largest ocean-based source of plastic pollution is discarded fishing gear (including traps and nets), estimated to be up to 90% of plastic debris in some areas. [56] [57] Continental plastic litter enters the ocean largely through storm-water runoff, flowing into watercourses or directly discharged into coastal waters. [58]
Marine debris, also known as marine litter, is human-created solid material that has deliberately or accidentally been released in seas or the ocean.Floating oceanic debris tends to accumulate at the center of gyres and on coastlines, frequently washing aground, when it is known as beach litter or tidewrack.
The Ocean Cleanup was founded in 2013 by Boyan Slat, a Dutch inventor [3] [4] [5] who serves as its CEO. It develops both ocean and river based catch systems. Its ocean system consists of a funnel shaped floating barrier which is towed by two ships. The ocean system is deployed in oceanic gyres to collect marine debris. [6]
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Human activities affect marine life and marine habitats through overfishing, habitat loss, the introduction of invasive species, ocean pollution, ocean acidification and ocean warming. These impact marine ecosystems and food webs and may result in consequences as yet unrecognised for the biodiversity and continuation of marine life forms.
GEBCO is the only intergovernmental body with a mandate to map the whole ocean floor. At the beginning of the project, only 6 per cent of the world's ocean bottom had been surveyed to today's standards; as of June 2022, the project had recorded 23.4 per cent mapped. About 14,500,000 square kilometres (5,600,000 sq mi) of new bathymetric data ...
"Catch It, Bin It, Kill It" is a slogan used in several public health campaigns of the British government to promote good respiratory and hand hygiene by recommending carrying tissues, using them to catch a cough or sneeze, disposing of them immediately in a waste bin and then killing any remaining viruses by washing hands or using hand sanitiser.
Little Hands Clapping at author's website; Dan Rhodes's novel about a museum dedicated to suicide is by turns witty and gruesome review from The Guardian; A mixture of the quaint, the sweet and the distinctly unpleasant, review from The Guardian by Colin Greenland; review from The Independent "I don't feel like a natural" interview at The Skinny