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Sonata in F major, K376 for Cello and Piano, transcribed by Alexander Kniazev; Sonata-Rondo from Mozarts Fragment KV Anh. 46 (374g) for cello and piano 1782 (completed by John Hilliard) Franz Xaver Wolfgang Mozart. Sonata for violoncello and piano in E major, Op. 19 (published in 1820) Nikolai Myaskovsky. Cello sonata, Op. 12 in D (1911)
According to the review aggregator Metacritic, Romantic Piano received "universal acclaim" based on a weighted average score of 85 out of 100 from seven critic scores. [3] Clash Music ' s Rae Niwa called this release "an experience of delicate beauty" that "seizes the undercurrents of our being to remember we are love" and scored this album an ...
Piano music by Robert Schumann (1 C, 24 P) Pages in category "Piano compositions in the Romantic era" The following 19 pages are in this category, out of 19 total.
Giuliani's expression and tone in guitar playing were astonishing, and a competent critic said of him: "He vocalized his adagios to a degree impossible to be imagined by those who never heard him; his melody in slow movements was no longer like the short, unavoidable staccato of the piano, requiring profusion of harmony to cover the deficient sustension of notes, but it was invested with a ...
Goyescas, Op. 11, subtitled Los majos enamorados (The Gallants in Love), is a piano suite written in 1911 by Spanish composer Enrique Granados. It was inspired by the work of the Spanish artist Francisco Goya. The piano pieces have not been authoritatively associated with any particular paintings with two exceptions:
This article lists compositions written for piano duo. The list includes works for piano four-hands and works for two pianos. Catalogue number and date of composition are also included. Ordering is by composer surname. A list of notable performers who played and recorded these works is at List of classical piano duos (performers).
This is a list of solo piano pieces by Wolfgang Amadeus Mozart. [1] Pieces. Sonatas. Piano Sonata No. 1 in C major, K. 279/189d (Munich, Autumn 1774)
Erik Tawaststjerna, who authored seminal biography on Sibelius, was an early, vocal advocate for many of the composer's piano pieces. The musicologist Robert Layton argues that the Ten Pieces are a mixed bag, although the "best of them are probably more personal than" their immediate predecessor, the Piano Sonata in F major (Op. 12, 1893).