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The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E ♭ , smaller than the B ♭ tenor but larger than the B ♭ soprano .
Tonal qualities are subjective but a direct comparison of the Vibratosax's tonal qualities to that of a brass saxophone could be made by having the same player play both instruments. The most effective comparison would be made if the performer played the same song, using the same dynamics and phrasing in both performances.
For Alto is a riveting blast of fresh air, radically adventurous early gems from one of the most important thinkers in jazz." [22] In an article for Jazzwise, Kevin Le Gendre stated: "Braxton's alto saxophone is like the sound of acid dripped from the beating wings of hummingbirds, a charmingly corrosive caress. Through brilliant dynamics ...
The AllMusic review by Ken Dryden states, "Al Cohn's writing for small groups is always appealing, and this Epic LP is no exception. Leading three separate groups consisting of various reeds (and no brass) plus a rhythm section, Cohn obtains marvelous results from his groups of all-stars and veteran session musicians".
He received great acclaim for his 1969 double-LP record For Alto, the first full-length album of solo saxophone music. [3] [4] A prolific composer with a vast body of cross-genre work, the MacArthur Fellow [5] and NEA Jazz Master has released hundreds of recordings and compositions. [6]
Sonata for Alto Saxophone and Piano, Op. 29 (1970)—Robert Muczynski [38] Variations on a Dorian Theme for alto saxophone and piano (1972)—Gordon Jacob; Four Moods for Alto Saxophone and Piano (1975)—Phil Woods; Sonata for Alto Saxophone and Piano (1979)—John Worley; Albanian Summer (1980)—Dave Smith; Divertimento (1982)—Charles ...
The Saxophone Concerto was Adams's first composition following his three-hour oratorio The Gospel According to the Other Mary.Adams, whose father played alto saxophone in swing bands during the 1930s, has cited his early exposure to such jazz saxophonists as John Coltrane, Eric Dolphy, and Wayne Shorter as inspiration for the piece.
Under Greenleaf's saxophone specialists Allen Loomis and Hugh Loney, C. G. Conn's research and development resulted in the designs of the 6M alto (1931), 10M tenor (1934), and 12M baritone (1930). The 12M baritone was the first saxophone with both bell keys on the right side, followed by the King Voll-True II (1932) and Selmer Balanced Action ...