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The question for the Chicago School (as it was for Aristotle) was always what the purpose of the theory of criticism was, what hypotheses were brought to bear by the theory about the nature of literature (for instance, whether it consisted of the words alone, or whether it was to be thought of as part of a larger context such as an era or an artist's life), and the definitions of words (such ...
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
The making of the English literary canon from the Middle Ages to the late eighteenth century. Montreal Que: McGill-Queen's University Press. ISBN 9780773520806. Kolbas, E. Dean (2001). Critical Theory and the Literary Canon, Boulder: Westview Press. ISBN 0813398134; Morrissey, Lee (2005). Debating the Canon: A Reader from Addison to Nafisii ...
James Phelan (pronounced / ˈ f eɪ l ə n /; [2] born 1951) is an American writer and literary scholar of narratology.He is a third-generation Neo-Aristotelian literary critic of the Chicago School [3] [4] whose work builds on and refines the work of Wayne C. Booth with a focus on the rhetorical aspects of narrative.
The main body of The Politically Incorrect Guide to English and American Literature, however, is focused upon an overview of the classic canon of English literature extending from Beowulf to Evelyn Waugh. There is another chapter after this discussing American literature from Nathaniel Hawthorne to Flannery O'Connor. Each chapter has:
Neo-Aristotelianism is a view of literature and rhetorical criticism propagated by the Chicago School [1] — Ronald S. Crane, Elder Olson, Richard McKeon, Wayne Booth, and others — which means: "A view of literature and criticism which takes a pluralistic attitude toward the history of literature and seeks to view literary works and critical ...
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Chicago's early twentieth-century writers and publishers were seen as producing innovative work that broke with the literary traditions of Europe and the Eastern United States. In 1920, the critic H. L. Mencken wrote in a London magazine, The Nation, that Chicago was the "Literary Capital of the United States."