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Brushstrokes (1965) was the first element of the Brushstrokes series.. Brushstrokes series is the name for a series of paintings produced in 1965-1966 by Roy Lichtenstein.It also refers to derivative sculptural representations of these paintings that were first made in the 1980s.
Brushstrokes is a 1965 oil and Magna on canvas pop art painting by Roy Lichtenstein. It is the first element of the Brushstrokes series of artworks that includes several paintings and sculptures. As with all of his Brushstrokes works, it is in part a satirical response to the gestural painting of Abstract Expressionism .
Brush Strokes is a British television sitcom broadcast on BBC1 from 1986 to 1991. [1] Written by Esmonde and Larbey and set in South London , it depicted the (mostly) amorous adventures of a wisecracking house painter, Jacko ( Karl Howman ).
Yellow and Green Brushstrokes is located at the Museum für Moderne Kunst in Frankfurt, Germany. [2] The museum acquired the work from the collection of Karl Ströher in 1981. [3] The source for the entire Brushstrokes series was Charlton Comics' Strange Suspense Stories 72 (October 1964) by Dick Giordano. [4] [5]
Big Painting No. 6 (sometimes Big Painting or Big Painting VI) is a 1965 oil and Magna on canvas painting by Roy Lichtenstein.Measuring 235 cm × 330 cm (92.5 in × 129 in), it is part of the Brushstrokes series of artworks that includes several paintings and sculptures whose subject is the actions made with a house-painter's brush.
Brushstrokes is a 1996 sculpture by Roy Lichtenstein, installed outside the Portland Art Museum's Mark Building, in Portland, Oregon. [ 1 ] [ 2 ] It is part of the Brushstrokes series of artworks that includes several paintings and sculptures whose subject is the actions made with a house-painter's brush.
Brushstrokes in Flight is a 1984 sculpture by Roy Lichtenstein, installed at the John Glenn Columbus International Airport in Columbus, Ohio. [1] It is part of the Brushstrokes series of artworks that includes several paintings and sculptures whose subject is the actions made with a house-painter's brush.
Little Big Painting is quite attentive to the "physical qualities of the brushstroke" relative to other Brushstrokes series works. It is an example of the use of overlapping forms rather than a single form or distinct adjacent forms, which seems to create a more dynamic feel to the shallow space. [5]