Search results
Results from the WOW.Com Content Network
Here We Go Again [l] Benny Andersson Björn Ulvaeus: Mamma Mia! Here We Go Again: The Movie Soundtrack: 2018 [51] "Superstar" (originally by Delaney & Bonnie) Cher Bonnie Bramlett Delaney Bramlett Leon Russell: Non-album single [c] 1970 [45] "Take It From the Boys" Black Rose Carole Bayer Sager Bruce Roberts: Black Rose: 1980 [10] "Take Me for ...
This list of songs or music-related items is incomplete; you can help by adding missing items. ( June 2024 ) This is a partial list of songs that originated in movies that charted (Top 40) in either the United States or the United Kingdom, though frequently the version that charted is not the one found in the film.
Leningrad Cowboys Go America (album) Lisztomania (album) The Little Vampire (soundtrack) Live 1965: Music from Charlie Is My Darling; Love and a .45 (soundtrack) Love Me or Leave Me (Doris Day album) Love Me Tender (EP) Lullaby of Broadway (album) Lyckantropen Themes; Lyle, Lyle, Crocodile (soundtrack)
The Go-Go’s originally penned “Lust to Love” for their 1981 debut album, Beauty and the Beat, and it’s a moody slow-paced song with an ominous guitar riff driving the tune’s regretful ...
Soundtracks is a 1970 compilation album by the German krautrock group Can, containing music written for various films. The album marks the departure of the band's original vocalist Malcolm Mooney , who sings on two tracks, and his replacement by Damo Suzuki .
Will Jennings, left, and James Horner backstage at the Academy Awards, after winning the Oscar for "My Heart Will Go On" from "Titanic" in 1998. (Bob Riha Jr. / Getty Images)
"As Tears Go By" was one of the three songs, including "(I Can't Get No) Satisfaction" and "19th Nervous Breakdown", that the band performed live during their third appearance on The Ed Sullivan Show. It was released as a single in December 1965 by their North American record label, London Records.
As of 2019, the Academy's rules stipulate that "an original song consists of words and music, both of which are original and written specifically for the motion picture.. It must be clearly audible, intelligible, substantive rendition (not necessarily visually presented) of both lyric and melody, used in the body of the motion picture or as the first music cue in the end credit