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Also, cannon shots are heard at the end of Rush's "Overture". [50] "The Disappearance of Mr Davenheim" (Episode 5, Series 2, of the British drama series, Agatha Christie's Poirot (1990)), the title character plays a record of the 1812 Overture so that the cannon fire will mask the sound of him breaking into his own safe. [51]
In his early work, such as Piano Phase (1967) and Clapping Music (1972), Steve Reich used a process he calls phasing which is a "continually adjusting" canon with variable distance between the voices, in which melodic and harmonic elements are not important, but rely simply on the time intervals of imitation.
Elmer Bernstein (/ ˈ b ɜːr n s t iː n / BURN-steen; April 4, 1922 – August 18, 2004) [1] [2] was an American composer and conductor. In a career that spanned over five decades, he composed "some of the most recognizable and memorable themes in Hollywood history", including over 150 original film scores, as well as scores for nearly 80 television productions. [3]
George Frideric Handel was the house composer at Cannons from August 1717 until February 1719. [1] The Chandos Anthems and other important works by Handel were conceived, written or first performed at Cannons. Cannons was a large house in Middlesex, the seat of James Brydges, 1st Duke of Chandos who was a patron of Handel.
Basil Konstantine Poledouris (/ ˌ p ɒ l ɪ ˈ d ɔːr ɪ s /; August 21, 1945 – November 8, 2006) was an American composer, conductor, and orchestrator of film and television scores, [1] best known for his long-running collaborations with directors John Milius and Paul Verhoeven.
North managed to integrate his modernism into typical film music leitmotif structure, rich with themes. One of these became the famous song "Unchained Melody". [1]Nominated for fifteen Oscars but unsuccessful each time, North is one of only two film composers to receive the Lifetime Achievement Academy Award, the other being Ennio Morricone.
Heinrich Schütz (German:; 18 October [O.S. 8 October] 1585 [1] – 6 November 1672 [2]) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach and one of the most important composers of the 17th century.
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]