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Kunchan Nambiar was a prominent Malayalam poet of the 18th century (1705-1770). Apart from being a prolific poet, Nambiar is also famous as the originator of the dance art form of Thull'll, most of his works were written for use in Thullal performances. Social criticism wrapped in humour is the hallmark of his works.
Kunchan Nambiar (1705–1770), the founder of Thullal and its rich literature, is often considered as the master of Malayalam satirist poetry. Born in Killikkurussimangalam , he spent his boyhood at Kudamalur and youth at Ambalappuzha . 1748 he moved to the court of Marthanda Varma and later to the court of his successor Dharma Raja.
The Prāchīna Kavitrayam, (Ancient triumvirate) of Malayalam poetry are Thunchaththu Ezhuthachan, Cherusseri Namboothiri and Kunchan Nambiar. These medieval era triumvirate poets was chosen in the basis of Bhakthi. The modern triumvirate poets were chosen on the basis of their impact on social activism.
Ottan Thullal (or Ottamthullal) is a recite-and-dance art-form of Kerala, India.It was introduced in the eighteenth century by Kunchan Nambiar, one of the Prachina Kavithrayam (three famous Malayalam-language poets).
From School of Letters, Manoj obtained M.Phil for his research on rhythm structures in Kunchan Nambiar's Harineeswayamvaram Thullal. [2] He was awarded doctorate by the same institution for his research on folk rhythms in modern Malayalam poetry. [2] He joined N. S. S. College, Pandalam as Malayalam lecturer in 1997.
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C. D. David (c. 1860 – c. 1920) was a Malayalam-language writer, poet and columnist from what is now Kerala, India.He wrote several articles in the periodicals of the time such as Malayala Manorama, Kerala Patrika, Kerala Sanchari, Nasrani Deepika, Vidyavinodini, Bhashaposhini and Rasikaranjini, as well as published books such as Prabandhamanjari, Prabandhamalika and Kunchan Nambiarude Kaalam.
Its style and content nearly overshadowed the earlier Sanskrit poetry. [1] He is believed to have attained samadhi at the Gurumadhom at Chittur. [10] A verse chanted by the ascetics of the mathom during their daily prayers makes a reference to the following line of masters. [18] Thunchaththu Sri Guru; Sri Karunakaran; Sri Suryanarayanan; Sri ...