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Starting with no sharps or flats (C major), adding the first sharp (F ♯) indicates G major, adding the next (C ♯) indicates D major, and so on through the circle of fifths. Some keys (such as C ♯ major with seven sharps) may be written as an enharmonically equivalent key (D ♭ major with five flats in this case).
The most widely used system (created by Rauf Yekta Bey) uses a system of four sharps (roughly +25 cents, +75 cents, +125 cents and +175 cents) and four flats (roughly −25 cents, −75 cents, −125 cents and −175 cents) [citation needed], none of which correspond to the tempered sharp and flat.
These contain either flats or sharps, but not both, and the different key signatures add flats or sharps according to the order shown in the circle of fifths. Each major and minor key has an associated key signature, showing up to seven flats or seven sharps, that indicates the notes used in its scale.
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
Starting with no sharps or flats (C major), adding the first flat (B ♭) indicates F major; adding the next (E ♭) indicates B ♭ major, and so on, backwards through the circle of fifths. Some keys (such as C ♭ major with seven flats) may be written as an enharmonically equivalent key (B major with five sharps in this case). In rare cases ...
For example, A-minor is "Am" and D-sharp minor is "D ♯ m"). The small interval between equivalent notes, such as F-sharp and G-flat, is the Pythagorean comma . Minor scales start with , major scales start with .
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6 flats 14 F# minor: 3 sharps 15 G major: 1 sharp 16 G minor: 2 flats 17 A♭ major: 4 flats 18 Either G# minor: 5 sharps Alkan wrote a piece in A♭ minor, and Brahms a fugue in this key, but most composers have preferred G# minor. or A♭ minor: 7 flats 19 A major: 3 sharps 20 A minor: No sharps or flats 21 B♭ major: 2 flats 22 Either B ...