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Calderón de la Barca, a key figure in the theatre of the Spanish Golden Age. Spanish Golden Age theatre refers to theatre in Spain roughly between 1590 and 1681. [1] Spain emerged as a European power after it was unified by the marriage of Ferdinand II of Aragon and Isabella I of Castile in 1469 and then claimed for Christianity at the Siege of Granada in 1492. [2]
The famous bust of the "Lady of Elche", probably a priestess."Warrior of Moixent" Iberian (Edetan) ex-voto statuette, 2nd to 4th centuries BC, found in Edeta. The Iberians (Latin: Hibērī, from Greek: Ἴβηρες, Iberes) were an ancient people settled in the eastern and southern coasts of the Iberian Peninsula, at least from the 6th century BCE.
Roman theatre in Benevento, Italy Actor dressed as a king and two muses. Fresco from Herculaneum, 30-40 AD. Western theatre developed and expanded considerably under the Romans. The Roman historian Livy wrote that the Romans first experienced theatre in the 4th century BC, with a performance by Etruscan actors. [20]
The Iberian Peninsula (IPA: / aɪ ˈ b ɪər i ə n / eye-BEER-ee-ən), [a] also known as Iberia, [b] is a peninsula in south-western Europe.Mostly separated from the rest of the European landmass by the Pyrenees, it includes the territories of Peninsular Spain [c] and Continental Portugal, comprising most of the region, as well as the tiny adjuncts of Andorra, Gibraltar, and, pursuant to the ...
This corral, formerly a courtyard theatre, has been roofed and used as a teatro romántico and a cinema, leading to major changes in the building's architecture. [3] The last known such courtyard theatre to be built in Spain, Corral de comedias de Almagro , in Almagro , Castile-La Mancha , is a purpose-built theater that dates to 1628. [ 4 ]
The theater was one of the favorite leisure activities of the Hispanic-Roman, and as with other buildings of public interest, any city of renown could do without owning one. So much so that the theater of Emerita Augusta was built almost at the same time as the rest of the city by the consul Marcus Agrippa, son in law of the emperor Octavian ...
Theatre construction occurred between 1871 and 1873, with a design by the French architects P. Chauderlot and F. Festau. It had a capacity of 2,500 people. The theatre opened on 23 March 1873 and featured the company of actor Manuel Catalina . [ 1 ]
D'Amico conceived of the project and brought it to fruition. The theater section was under the direction of Luigi Squarzina; he also did the film section. D'Amico's father worked on the drama theatre section, while his brother Mario worked on the music section. Gabriele Baldini and later Gian Luigi Rondi were responsible for the cinema section.