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The earliest written sources of Old Japanese transcribe the name of the sea god in a diverse manner. The c. 712 CE Kojiki (tr. Basil Hall Chamberlain 1883) writes it semantically as 海 神 lit. "sea god" and transcribes it phonetically with man'yōgana as Wata-tsu-mi, 綿 津 見, lit. "cotton port see" in identifying Ōwatsumi kami and the Watatsumi Sanjin.
The name Kuraokami combines kura 闇 "dark; darkness; closed" and okami 龗 "dragon tutelary of water". This uncommon kanji (o)kami or rei 龗, borrowed from the Chinese character ling 龗 "rain-dragon; mysterious" (written with the "rain" radical 雨, 3 口 "mouths", and a phonetic of long 龍 "dragon") is a variant Chinese character for Japanese rei < Chinese ling 靈 "rain-prayer ...
The ancient chronicle Nihongi contains references to mizuchi.Under the 67th year of the reign of Emperor Nintoku (conventionally dated 379 AD), it is mentioned that in central Kibi Province, at a fork on Kawashima River (川嶋河, old name of Takahashi River in Okayama Prefecture), a great water serpent or dragon (大虬) dwelt and would breathe or spew out its venom, poisoning and killing ...
Two other Japanese examples derive from Buddhist importations of Indian dragon myths. Benzaiten, the Japanese form of Saraswati, supposedly killed a five-headed dragon at Enoshima in 552. Kuzuryū (九頭龍, "nine-headed dragon"), deriving from the nagarajas (snake-kings) Vasuki and Shesha, is worshipped at Togakushi Shrine in Nagano Prefecture.
This is often built in the shape of a dragon. Many legends say that it possesses spiritual powers. Kangla Sha is the Guardian dragon lion, safeguarding the Kangla Palace. Kangla Sha are usually depicted in pairs. Nongshaba, the dragon lion, is a child of Atingkok, the Supreme Being. Unlike his siblings, he always remains in the form of the ...
Kui (Chinese: 夔; pinyin: kuí; Wade–Giles: k'uei) is a polysemous figure in ancient Chinese mythology.Classic texts use this name for the legendary musician Kui who invented music and dancing; for the one-legged mountain demon or rain-god Kui variously said to resemble a Chinese dragon, a drum, or a monkey with a human face; and for the Kuiniu wild yak or buffalo.
As in Hinduism, the Buddhist nāga generally has sometimes been portrayed as a human being with a snake or dragon extending over his head. [25] One nāga, in human form, attempted to become a monk, and when telling it that such ordination was impossible, the Buddha told it how to ensure that it would be reborn a human, and so able to become a monk.
The Trần dragon, wood carving of Phổ Minh Temple, Nam Định province. The Trần dynasty dragon was similar to that of the Lý dynasty but looked more rugged. The Trần dragon had new details: arms and horns. Its fiery crest became shorter. Its slightly curved body became fat and smaller toward the tail.