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Doering exhibited her baskets widely, including at such venues as the Southern Plains Indian Museum, Coulter Bay Indian Art Museum, Wheelwright Museum of the American Indian, Fred Jones Jr. Museum of Art, Oklahoma Historical Society, the Kennedy Center in Washington DC, and the Smithsonian Institution Folklife Festival. In 1982 and 1983, she ...
Christine Navarro Paul (December 28, 1874 – 1946), a member of the Native American Chitimacha Tribe of Louisiana, was a celebrated basket maker and teacher.. Beginning in her 20s, she led the efforts of the Chitimacha women to create and sell beautiful woven baskets made from dyed wild river cane.
Elsie Comanche Allen (September 22, 1899 – December 31, 1990) was a Native American Pomo basket weaver from the Cloverdale Rancheria of Pomo Indians of California in Northern California, significant as for historically categorizing and teaching Californian Indian basket patterns and techniques and sustaining traditional Pomo basketry as an art form.
[1] [7] They recognized the quality of Dat So La Lee's weaving and, wanting to enter the curio trade in Native American art, decided to promote and sell her basketry. Abram "Abe" Cohn owned the Emporium Company, a men's clothing store, in Carson City, Nevada. [1] The couple began to document every basket she produced from 1895 to 1925.
This piece is on display in the Native American art collection of the Casino Arizona. The curator there, Aleta Rinlero says of Antone's work: "She doesn't weave baskets, she weaves concepts." [4] Ancient Hohokam pottery designs also provide Antone with inspiration for basket designs, as have the flora and fauna of the Sonoran Desert. To achieve ...
In 1973, Billy moved to California and soon after located to Ukiah, California, where she studied Pomo basket weaving under her great aunt Elsie Allen for 15 years. [3] In that time, Billy became familiar with the dozen shapes and almost 300 patterns traditionally used in Pomo basketry.
Elsie Allen, as one who had baskets confiscated by the state for illegal feather possession, hid her baskets. [9] At the time, such successes were rare. [26] Allen also broke with long-standing tradition in another way to ensure that Pomo basketry would continue. She did so by writing a book which provided instructions as to weaving Pomo baskets.
A woven basket made by Lucy Telles (National Museum of the American Indian) Telles, who learned basket weaving as a child, was well known for her fine basketry during her lifetime. Her innovations in basket weaving had a lasting influence on Yosemite weavers. While traditional Miwok baskets had one color, she used two colors per basket.
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