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Blues dancing originated in the dances brought to America by enslaved Africans, who followed sub-Saharan African music traditions.There is no documented evidence across the history of pre-colonial sub-Saharan African dance for sustained one-on-one mixed-gender partnered dancing; African cultures apparently considered this type of dancing to be inappropriate.
"African American Cultural Dance" was a description coined by National Dance Association author and researcher Frank R. Ross, who correctly replaced the old stereotyped "vernacular" (native or natural) definition of African-American dance with its correct definition as "cultural" (sanctioned by the National Dance Association and International ...
Early forms of Afro-Caribbean music in Jamaica was Junkanoo (a type of folk music now more closely associated with The Bahamas). Mento is a style of Jamaican music that predates and has greatly influenced ska, which was also fused with African traditions, American jazz and blues. Subsequent styles besides ska include, rocksteady and raggamuffin ...
She attributes the origins of field holler music to African Muslim slaves who accounted for an estimated 30% of African slaves in America. According to Kubik, "the vocal style of many blues singers using melisma , wavy intonation, and so forth is a heritage of that large region of West Africa that had been in contact with the Arabic - Islamic ...
The historian Sylviane Diouf and ethnomusicologist Gerhard Kubik identify Islamic music as an influence on blues music. [11] [12] Diouf notes a striking resemblance between the Islamic call to prayer (originating from Bilal ibn Rabah, a famous Abyssinian African Muslim in the early 7th century) and 19th-century field holler music, noting that both have similar lyrics praising God, melody, note ...
As people were taken from Africa to be sold as slaves, especially starting in the 1500s, they brought their dance styles with them. Entire cultures were imported into the New World, especially those areas where slaves were given more flexibility to continue their cultures and where there were more African slaves than Europeans or indigenous Americans, such as Brazil.
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The Kongo cosmogram may have inspired the ring shout in African-American communities and in Jamaica. It is a sacred dance performed to become possessed by the Holy Spirit or ancestral spirits. [20] [21] According to musicologist Robert Palmer, the first written accounts of the ring shout date from the 1840s, during the pinnacle of Christian ...