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This is a list of notable manufacturers of studio monitors. This list is not exhaustive; every entry must have an article written in the English Wikipedia. Current manufacturers
The Yamaha NS-10 studio monitor, identifiable by its horizontal lettering and distinctive white cone. The Yamaha NS-10 is a loudspeaker that became a standard nearfield studio monitor in the music industry among rock and pop recording engineers. Launched in 1978, the NS-10 started life as a bookshelf speaker destined for the domestic environment.
Yamaha MU2000. The Yamaha MU-series is a line of sound modules built by Yamaha. All sound modules except MU5 support Yamaha XG. The sound modules were commonly used when computers had slower processors. The computer could send MIDI commands to the sound module, acting as an external sound generation device. Later MU sound modules feature A/D ...
Studio monitor Little Gold Monitor (c. 1990) from Tannoy with two-way-coaxial construction, meaning the tweeter for frequencies from 1.400 Hz and above is located independently in the center of the 30 cm bass driver Tannoy, Dynaudio, Genelec, and K+H studio monitors. By the mid-1980s the near-field monitor had become a permanent fixture.
This list may not reflect recent changes. List of Yamaha Corporation products; A. Yamaha AN1x; C. Yamaha KX-5; Yamaha CS-80; Yamaha CS1x; Yamaha CS2x;
Yamaha Piano Salon pictured in 2005. Located in the Aeolian Building at 689 Fifth Avenue, [10] the third floor piano salon, an acoustically isolated space originally occupied by a showroom of the Aeolian Piano Company, [11] which made its reputation in organs, reproducing organs, pianos and most particularly piano roll mechanisms and rolls themselves from 1887 until 1985.
The Yamaha TX16W is a rack-mount sampler sound module made by Yamaha. The TX16W has 12-bit sound with up to 50 kHz mono and 33 kHz stereo sampling. Its filter is digital, allowing 17 different types, with one filter/type per voice. On the rear along with a regular stereo output, there are 8 individual outputs.
Before large hard disks became economical enough to make hard disk recorders viable, studio digital recording meant recording on digital tape. Mitsubishi 's ProDigi and Sony 's Digital Audio Stationary Head (DASH) were the primary digital reel-to-reel formats in use in recording studios from the early 1980s through the mid-1990s.
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