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The insertion of the character 明 (míng "light/bright") into poetry was common practice during the Ming dynasty , whose Chinese name features this character. For a 17th-century edition of the poem, see the example, with notes, in Rare Book Preservation Society § Li Bai Tang poem .
Like the previous Nine Inch Nails studio album Ghosts I–IV, The Slip was released under a Creative Commons attribution-noncommercial share-alike license, in effect allowing anyone to use or rework the material for any non-profit purpose, as long as credit is provided and the resulting work is released under a similar license.
The earliest Chinese reference to a will-o'-the-wisp appears to be the Chinese character 粦 lín, attested as far back as the Shang dynasty oracle bones, depicting a human-like figure surrounded by dots presumably representing the glowing lights of the will-o'-the-wisp, to which feet such as those under 舞 wǔ, 'to dance' were added in bronze ...
Title page of Book from the Sky, in pseudo-Chinese characters.The characters “天書” do not appear anywhere in the book. A Book from the Sky (simplified Chinese: 天书; traditional Chinese: 天書; pinyin: Tiānshū) is a book produced by Chinese artist Xu Bing in the style of fine editions from the Song and Ming dynasties, but filled entirely with meaningless glyphs designed to resemble ...
The sky will be sunny. The ship of revolution rides the wind and waves. The future is brilliant. Great commander, great helmsman, Dear Chairman Mao! The sun is in the hearts of the revolutionary people, The red sun in our hearts. Long live Chairman Mao! (Long live Chairman Mao!) Long live Chairman Mao! (Long live Chairman Mao!)
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Jiu Ge, or Nine Songs, (Chinese: 九歌; pinyin: Jiǔ Gē; lit. 'Nine Songs') is an ancient set of poems. Together, these poems constitute one of the 17 sections of the poetry anthology which was published under the title of the Chuci (also known as the Songs of Chu or as the Songs of the South ).
Ge Fei (Chinese: 格非; pinyin: Gé Fēi; Wade–Giles: Ke Fei, born August 22, 1964) [1] is the pen name of novelist Liu Yong (刘勇), considered by many scholars and critics to be one of the most significant of the Chinese avant-garde writers that rose to prominence in the 1980s and 1990s.