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Country Life Toile Wallpaper. French for "canvas," toile patterns often depict highly detailed pastoral landscapes and scenes from 18th-century France. The patterned reigned throughout much of ...
Green, (such as pea green and drab), yellow, pink, and orange (such as peach and saffron) hues were popular for wallpaper, carpets, curtains, sofas, chair seats, and cushions, often with patterns or bright flowers. English decorator David Hicks was an important influence on interiors in the 1960s, inspired by bright colours associated with ...
Modern wallpaper is made in long rolls which are hung vertically on a wall. Patterned wallpapers are designed so that the pattern "repeats", and thus pieces cut from the same roll can be hung next to each other so as to continue the pattern without it being easy to see where the join between two pieces occurs.
English: Several analogous patterns are overlaid in this "wallpaper", four tiling patterns. An article calls "Pythagorean tiling" such a tiling covering entirely the Euclidean plane by squares of two different sizes, where any tile, by any edge, abuts against exactly one tile of another size.
In 1924, Arthur Bengough Sanderson received a Royal Warrant as "Purveyor of Wallpapers and Paints to King George V". [ 1 ] The original blocks for William Morris 's wallpaper designs were included in the purchase of Jeffrey & Co. [ citation needed ] When Morris & Co. was dissolved in 1940, Sanderson and Sons bought its wallpaper business and ...
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Ada Dietz (1882 – 1981) was an American weaver best known for her 1949 monograph Algebraic Expressions in Handwoven Textiles, which defines weaving patterns based on the expansion of multivariate polynomials. [9] J. C. P. Miller used the Rule 90 cellular automaton to design tapestries depicting both trees and abstract patterns of triangles. [10]
Screen with embroidered panels, 1885-1910, designed by John Henry Dearle V&A Museum no. CIRC.848-1956. Dearle was born in Camden Town, north London, in 1859. [2] He began his career as an assistant in Morris & Co.'s retail showroom in Oxford Street in 1878, [3] and then transferred to the company's glass painting workshop, where he worked mornings and studied design in the afternoons. [1]
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