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Life Is a Song Worth Singing is the second studio album by American musician Teddy Pendergrass. [1] It was released on June 2, 1978, by Philadelphia International Records and Sony Music Entertainment.
Theodore DeReese Pendergrass (March 26, 1950 – January 13, 2010) was an American soul and R&B singer-songwriter. He was born in Kingstree, South Carolina. [2] [3] [4] Pendergrass lived most of his life in the Philadelphia area, and initially rose to musical fame as the lead singer of Harold Melvin & the Blue Notes.
Gap Band 8 is the 10th album (contrary to the title) by American R&B and funk band the Gap Band, released in 1986 on Total Experience Records.It is the first (and only) album in the band's self-titled series to be subtitled with a regular number instead of a Roman numeral, as well as their final self-titled album.
In some countries, "Get Down" was released as their debut single. The song features a rap in the second verse by both Smooth T. of the group Fun Factory and band member AJ McLean . When performed live, other than a few isolated cases in which Smooth T. was able to join the band, McLean raps alternate lyrics during Smooth T.'s verse.
The Get Down (Score Soundtrack from the Netflix Original Series) is the official score for both the first and the second part of The Get Down featuring original orchestral music and vocal performances, released by RCA Records on September 8, 2017. The score of the series was composed by Elliott Wheeler.
"Cool As Ice (Everybody Get Loose)" is a song written by Vanilla Ice, Gail "Sky" King and Jennece "Princessa" Moore, and performed by American rapper Vanilla Ice featuring vocals from English model Naomi Campbell.
Covered all the areas I want covered, but still looks nice and neat, not sloppy loose." Just ask this reviewer who dubbed the piece the " perfect summer shirt [that] looks great with shorts, jeans ...
Ellis credits Clyde Stubblefield's adoption of New Orleans drumming techniques, as the basis of modern funk: "If, in a studio, you said 'play it funky' that could imply almost anything. But 'give me a New Orleans beat' – you got exactly what you wanted. And Clyde Stubblefield was just the epitome of this funky drumming."