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Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
Third persona can be distinguished from marginalization because the Third Persona is not only denied power and public voice, but is, at a basic level, denied consideration or recognition by those in power. While marginalization is an overt removal of power, the third persona suffers from an innate or unrecognized removal from power.
A number of celebrities, including Marilyn Monroe, [13] [14] Alice Cooper, [15] and Deanna Durbin, [16] referred to themselves in the third person to distance their public persona from their actual self. Mary J. Blige, in her song "Family Affair", introduces herself in the third person.
This category contains articles about novels which use a third-person narrative structure; a mode of storytelling in which the narration refers to all characters with third person pronouns like he, she, or they, and never first- or second-person pronouns. The narrator can be omniscient or limited
The third-person effect [1] hypothesis predicts that people tend to perceive that mass media messages have a greater effect on others than on themselves, based on personal biases. The third-person effect manifests itself through an individual's overestimation of the effect of a mass communicated message on the generalized other, or an ...
Many advertising campaigns and public information slogans use the technique to create a catchy, memorable way of displaying information. In marketing theory, American advertising and sales pioneer E. St. Elmo Lewis laid out his three chief copywriting principles, which he felt were crucial for effective advertising:
In narratology, focalisation is the perspective through which a narrative is presented, as opposed to an omniscient narrator. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing ...
For example, in the sentence "the quick brown fox jumps over the lazy dog", there are two third-person referents, the fox and the dog. Thus, one of them has to be proximate and the other one has to be obviative, depending on which one the speaker considers more central to the story.