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E-flat major is a major scale based on E ♭, consisting of the pitches E ♭, F, G, A ♭, B ♭, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E ♭ minor, (or enharmonically D ♯ minor). The E-flat major scale is:
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
E-flat minor is a minor scale based on E ♭, consisting of the pitches E ♭, F, G ♭, A ♭, B ♭, C ♭, and D ♭. Its key signature consists of six flats. Its relative key is G-flat major (or enharmonically F-sharp major) and its parallel key is E-flat major. Its enharmonic equivalent, D-sharp minor, contains the same number of sharps.
There can be up to seven flats in a key signature, applied as: B ♭ E ♭ A ♭ D ♭ G ♭ C ♭ F ♭ [9] [10] The major scale with one flat is F major. In all major scales with flat key signatures, the tonic in a major key is a perfect fourth below the last flat. When there is more than one flat, the tonic is the note of the second-to-last ...
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
For example, F major and D minor both have one flat in their key signature at B♭; therefore, D minor is the relative minor of F major, and conversely F major is the relative major of D minor. The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor ...
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Hemitonic pentatonic scales are also called "ditonic scales", because the largest interval in them is the ditone (e.g., in the scale C–E–F–G–B–C, the interval found between C–E and G–B). [7] (This should not be confused with the identical term also used by musicologists to describe a scale including only two notes.)