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The God of Clouds (Yunzhong Jun) was worshipped in the hope of rain and good weather for crops. This poem can be divided into two parts: one part is sung by the person who does the offering and the other part is sung by the person who acts as the God of Clouds in the form of antiphonal singing in order to show their admiration towards her.
Printed antiphonary (ca. 1700) open to Vespers of Easter Sunday. (Musée de l'Assistance Publique – Hôpitaux de Paris)An antiphonary or antiphonal is one of the liturgical books intended for use in choro (i.e. in the liturgical choir), and originally characterized, as its name implies, by the assignment to it principally of the antiphons used in various parts of the Latin liturgical rites.
Below is the text of A solis ortus cardine with the eleven verses translated into English by John Mason Neale in the nineteenth century. Since it was written, there have been many translations of the two hymns extracted from the text, A solis ortus cardine and Hostis Herodes impie, including Anglo-Saxon translations, Martin Luther's German translation and John Dryden's versification.
Antiphonal music is that performed by two choirs in interaction, often singing alternate musical phrases. [1] Antiphonal psalmody is the singing or musical playing of psalms by alternating groups of performers. [2] The term "antiphony" can also refer to a choir-book containing antiphons.
The antiphon O clavis David in an antiphonal. The O Antiphons (also known as the Great Advent Antiphons or Great Os) are antiphons used at Vespers during the Magnificat on the last seven days of Advent in Western Christian traditions. [1] They likely date to sixth-century Italy, when Boethius refers to the text in The Consolation of Philosophy. [2]
for antiphonal double chorus a cappella: Choral: 2000: Forever Young from Mr. Tambourine Man: Seven Poems of Bob Dylan: for soprano and chorus a cappella: words by Bob Dylan: Choral: 2005: One Sweet Morning: for female chorus a cappella: words by Yip Harburg; also for voice and piano Choral: 2005: Salute: for mixed chorus with kazoos, brass and ...
After the third repeat of this antiphonal call to worship, the reproaches begin. There are nine, each introduced by the congregation saying, "Holy God, Holy and mighty, Holy immortal One, have mercy upon us." and concluded with the congregation praying "Lord, have mercy." Though all nine can be read, they are chosen at the option of the liturgist.
Responsorial psalmody primarily refers to the placement and use of the Psalm within the readings at a Christian service of the Eucharist. The Psalm chosen in such a context is often called the responsorial psalm. They are found in the liturgies of several Christian denominations, including those of Roman Catholicism, Lutheranism and Anglicanism.