Search results
Results from the WOW.Com Content Network
The Joshua Light Show (also known as Joe's Lights and Sensefex) located in New York was founded by a filmmaker called Joshua White. The show was the 'house lightshow' at Bill Graham's Fillmore East for almost its entire existence. Formed from a lighting company called Sensefex which had been started by Joshua White, Thomas Shoesmith and Bill ...
CoSM will host a three-day art intensive titled "BODY & SOUL" at the compound's newly-renovated MAGI Art Lab on Nov. 8-10. Participate in live drawing sessions featuring a nude model, experience ...
Like Liquid Light Shows, the base of a Liquid Light Artefact is water, water dye, oil and oil dye on a glass scale, above a lightsource. [1] [2] Additionally colour wheels, prisms, magnifying glasses, marbles and other transparent objects are used. [3] [4] The last decennia digital editing is being used increasingly.
The Psychedelic era was the time of social, musical and artistic change influenced by psychedelic drugs, occurring from the mid-1960s [1] to the mid-1970s. [2] The era was defined by the proliferation of LSD and its following influence in the development of psychedelic music and psychedelic film in the Western world .
Life Magazine's cover and lead article for the September 1, 1967 issue at the height of the Summer of Love focused on the explosion of psychedelic art on posters and the artists as leaders in the hippie counterculture community. Psychedelic light-shows were a new art-form developed for rock concerts.
Cyberdelic art was created by calculating fractal objects and representing the results as still images, animations, underground, algorithmic music, or other media. Cyberdelic rave dance parties featured psychedelic trance music alongside laser light shows , projected images, and artificial fog , while attendees often used club drugs .
Minujín delved into psychedelic art in New York, of which among her best-known creations was that of the "Minuphone," where patrons could enter a telephone booth, dial a number, and be surprised by colors projecting from the glass panels, sounds, and seeing themselves on a television screen in the floor. [10]
The museum opens with a walk through the gardens — more specifically, Camila Falsini's "D.R.E.A.M.S.," a series of oversized inflatable shapes, symbols and igloos meant to evoke a dreamlike city ...