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Eddie Blazonczyk was born in Chicago, Illinois, to Polish immigrant parents [6] of Goral heritage. [1]Before becoming a polka artist, and founding Chicago-based Bel-Aire Records in 1963, Eddie Blazonczyk recorded under the name Eddy Bell for Mercury Records, Versa Records, and Lucky Four Records, all three labels based in Chicago.
John Anthony Wilfahrt, (May 11, 1893 – June 15, 1961), the eldest son of John Wilfahrt and Barbara Portner, was a professional polka musician who recorded with Vocalion and from 1934, Decca. He went by the moniker "Whoopee John." He was inducted into the International Polka Association's Hall of Fame in 1976. [1]
A Chemnitzer concertina is a musical instrument of the hand-held bellows-driven free-reed category, sometimes called squeezeboxes. The Chemnitzer concertina is most closely related to the bandoneón ( German spelling: Bandonion ), and more distantly, to the other types of concertinas and accordions .
Various forms of concertina are used for classical music, for the traditional music of Ireland, England, and South Africa, and for tango and polka music. The concertina has historically been a favorite instrument among people who travel often (due to its small and compact size), leading it to be a common instrument among soldiers, sailors, and ...
Cover of the Edition Peters sheet music of "Lux aeterna" by György Ligeti. This is a list of online digital musical document libraries.Each source listed below offers access to collections of digitized music documents (typically originating from printed or manuscript musical sources).
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The music alternates between dramatic and lyrical passages, with enigmatic chords, timbre games, and sound effects. [4] The second and third movements of the piece are far removed from the typical rhythmic configurations of polkas, despite the real or illusory 2/4 time and the popular connotations of the "off-beat" harmonies typical of polkas.
In the English Folk Revival of the 1960s, though the English concertina had been more an art music instrument, it became popular with British folk musicians. Karl Dallas has suggested that the mere presence of 'English' in the name attracted some of the revival's demographic; [6] however the instrument's versatility and portability were also important as factors in the instrument's adoption. [7]
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